Fim Review: Rip-roaring action comedy is a riot but violence scenes are over the top
FROM co-directors Dan Berk and Robert Olsen comes a refreshingly original action comedy in
Said originality is born from the film’s central premise: the lead character Nate has a rare condition that inhibits him from feeling any pain. Finding himself plunged into a hostage situation, Nate uses his condition to his advantage as he fights off various adversaries, becoming something of an unlikely superhero. This concept paves the way for some brutal fight scenes while also allowing for some genuinely funny moments. However, action and laughs aside, may not please everyone.
Jack Quaid stars as the introverted, unassuming Nate. Assistant manager at a local bank, Nate lives a sheltered, risk-free life. The film goes to great lengths to demonstrate the reality of living with CIPA (Congenital Insensitivity to Pain and Anhidrosis) and highlights the extra precautions one with the condition must take.
Quaid is perfectly cast in the role, effortlessly realising Nate’s awkward and timid nature while still creating a likeable and charismatic character. What’s more impressive is Quaid’s handling of the comedic scenes with his expertly-timed dialogue that may have fallen flat if delivered by another actor.
The supporting cast is more forgettable. Amber Midthunder plays Sherry, Nate’s love interest, whom he must save from a group of criminals. Extroverted and flirtatious, Sherry is a great foil to Nate’s timid insecurity. Jacob Batalon makes a late appearance as Nate’s friend and unwilling sidekick Roscoe, providing a healthy dose of comic relief. Meanwhile, Ray Nicholson, son of the legendary Jack, delivers an over-the-top performance as the primary antagonist. Following in his father’s footsteps, Nicholson clearly delights in playing an exaggerated and crazed villain.
Where shines is in its action set-pieces. As Nate decides to abandon his fearful ways and pursue the criminals to save his love interest, a high-octane chase across the city ensues. Punctuated by pitstops of shocking and sometimes hilarious violence, there is never a dull moment in this film. The hilarity is found in the nonchalant manner with which Nate handles the many grievous injuries he sustains. A grimace-inducing torture scene, where Nate must pretend to be in terrible agony while actually feeling nothing provides one of the film’s best laughs.
Though the action scenes are often played for comedic effect, it cannot be overstated just how violent this film is. I would strongly advise viewer discretion to anyone who does not respond well to gore or bodily harm. While functions perfectly well as an entertaining action-comedy, I’m not sure it’s a must-see by any means. As previously stated, it may not be for everyone, but those expecting a fun, if not somewhat disposable, time at the cinema will not be disappointed.
